I wasn't able to catch RED this weekend but I hear great things and $22 million is a strong second place showing for this adult action-comedy. Together, RED and JACKASS 3D took THE SOCIAL NETWORK down to the third spot. Still, with less than a 30% drop for the second week in a row, this David Fincher film is clearly striking a chord that will help its chances come awards season. I mean, it isn't JACKASS 3D big but we can't expect intelligent film to do the same kind of business as films where people tie remote control helicopters to the ends of their penises with strings, now can we?
IT'S KIND OF A FUNNY STORY is apparently not so funny to anyone else either. The Zach Galifianakis dramedy has stalled in 12th place in its second week with a 37% drop. Documentary, WAITING FOR SUPERMAN and Edward Norton/Robert Deniro thriller, STONE, continue to expand strongly. Hilary Swank vehicle, CONVICTION, opens to a less than convincing $10K per screen average on 11 screens. Meanwhile, John Lennon film, NOWHERE BOY, sees its grosses blow up by 570% after adding 200+ screens. Still, the biggest art house success of the week is not surprisingly, Clint Eastwood's latest, HEREAFTER. The Black Sheep review will be coming next week but this weekend, on just 6 screens, the Matt Damon led film pulled in over $230K for an average of $38,500 per screen. Word is still out on the film's afterlife.
NEXT WEEK: HEREAFTER goes ultra wide on 2200 screens and takes on another spookfest, PARANORMAL ACTIVITY 2 opening on 2900 screens. Two films dealing with what happens to us after we're dead, two very different films I'm sure. Who knows though? Eastwood could easily be the ghost in PA2 for all we know.
Source: Box Office Mojo
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