Friday, May 08, 2009
ADORATION: An interview with writer/director, Atom Egoyan
“I remember thinking this was the simplest film I had ever made, that it was so straight forward.” Even Atom Egoyan, one of Canada’s most internationally recognized and celebrated filmmakers, can admit that his films are not always that simple to follow. “Now that there has been some distance though, I can see that it is challenging; it asks the viewer to trust what I’m doing.” Having debuted at last year’s Cannes film festival, audiences are finally about to get the opportunity to judge ADORATION for themselves..
As we have come to expect from Egoyan, ADORATION is a multi-layered piece of filmmaking. Adolescent Simon (Devon Bostick) cannot come to terms with the death of his parents in a car crash that took place when he was a child. He decides to rewrite their history as part of an oral presentation for his French class, in an effort to regain control over his own lack of understanding. He chooses to tell his classmates that his mother and father had been involved in a foiled attempt to blow up an airplane en route to Iran. Passing the story off as truth sparks a fiery debate on the internet that spirals out of control and Simon soon discovers that his lies cannot reconcile the truths of his past.
The truth is a central theme in ADORATION. This is especially intriguing given that the terrorist back-story Simon appropriates as his own actually took place in 1986 in London. Then you throw in the world wide web of potential deceit the internet allows for and you are left with an excuse for those who hear it to add their own layers to this already falsified truth. “You can start any journey on the internet and be pointed in a specific direction,” Egoyan says of the opportunities modern technology affords. “At one point, you will have to leave it though and chart a physical relationship with what it is you’re searching for.”
Egoyan’s works cannot be watched complacently. One must engage with the film, and subsequently the filmmaker himself. For Egoyan, this process begins as early as the writing process, when even he needs different coloured index cards to keep up. “It’s all very carefully planned but you cannot absorb everything that’s happening as it’s happening.” In our current film culture, where the viewer is often led from beginning to end by the hand, a film like ADORATION forces us to see that we mustn’t just follow what Simon says in order to find the truth.